He is later released with the help of a familiar police officer.įollowing a disagreement between Vinz and Hubert about their perspectives on policing and violence, the two men part ways.
Saïd is arrested after their aggressive refusal to leave.
The three go to see Abdel in the hospital, but are turned away by the police. Although Hubert disapproves, Vinz secretly takes the gun with him. 44 Magnum revolver lost in the riot, and plans to use it to kill a police officer if Abdel dies. After the police break a rooftop gathering and the three sit idly on a playground, Vinz reveals to the other two that he has found the. The three go through an aimless daily routine, frequently finding themselves under police scrutiny. Saïd is a young North African Muslim who plays a mediating role between Vinz and Hubert. Hubert is an Afro-French boxer and small-time drug dealer who yearns to leave the banlieue for a better life and refuses to provoke the police, but whose boxing gymnasium was burned down in the riots.
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Vinz is a young Jewish man with an aggressive temperament who wishes to avenge Abdel, has a blanket condemnation of all police officers, and secretly reenacts Travis Bickle from Taxi Driver in the bathroom mirror. The film depicts approximately twenty consecutive hours in the lives of three friends of Abdel, all young men from immigrant families, in the aftermath of the riot. In the ensuing riots the local police station is besieged, and a police officer loses his revolver. A local man, Abdel Ichaha, is in intensive care having been gravely injured in police custody. It was one of the first films to posit France’s projects as a “social time bomb”, and its influence can be seen on filmmakers such as Ladj Ly ( Les Misérables) and Céline Sciamma ( Girlhood).īrilliantly told and lensed in black and white, La Haine plays out to a backdrop of thumping hip-hop and gritty streetscapes as the friends are drawn ever closer to an inevitable, shocking climax.La Haine opens with a montage of news footage of urban riots in a banlieue in the commune of Chanteloup-les-Vignes near Paris. Kassovitz won Best Director at Cannes in 1995 and La Haine subsequently exploded into French society by dominating the box office, media, and the political conversation. Inspired by real-life police brutality and rioting in France, actor-turned-director Mathieu Kassovitz penned a powerful script and entrusted his young cast with delivering raw and exhilarating performances, including a chaotically intense Vincent Cassel. When a misplaced Smith & Wesson comes into hothead Vinz’s possession, the clock starts ticking down to an incendiary finale. Both sides are seething with tension – an acquaintance is in hospital after a police beating, and a cop station has been burned down in retaliation. Vinz, Saïd and Hubert roam the streets of the poverty-stricken Paris projects, their boredom punctuated by frequent clashes with an ever-increasing police presence. As urgent today as upon its 1995 release, La Haine tracks 24 hours in the lives of three friends from the housing projects on the outskirts of Paris – one of whom discovers a gun lost by a cop in a riot the night before.
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